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    題名: 數位藝術的自主性美學研究
    Study on Autonomous Aesthetics of Digital Arts
    Authors: 王人英
    Ren-Ying Wang
    Keywords: 數位藝術;自主性;時間;現實;漫遊
    Digital Art;autonomy;time;reality;roaming
    Date: 2010-09-01
    Issue Date: 2015-03-12 11:59:27 (UTC+8)
    Abstract: 新科技開發新的文化視野,科技文明極度變化加速全球化的互動連結,全球化現象與科技經濟的發展休戚與共;開啟一個「新」的時代。台北雙年展迄今六屆十二年來策展主題環繞全球化議題,將全球化風潮之下所造成的社會差異、文化斷裂、以及社會劇變對當下現實的撞擊,轉化成一種美學,尋求一種文化與文化之間對談的方式。本文援引法蘭克福學派的觀點,談相應於資本社會發生的藝術自主性思潮,擴及到數位藝術的自主性思維研究。從台北雙年展這個交往場域出發,是對於歷史開展的提問,從數位藝術科技文化的美學研究,提供轉焦到歷史哲學的切入。透過台北雙年展策展論述、以及擇取數位藝術作品描繪的當代社會圖像,提供歷史閱讀的一個位置,作為對文化與社會思考的一種依據;從數位藝術作品科技語言書寫的社會圖像,透視當下社會現實的發生。讓我們重新思考台灣站在全球數位交往平台上,因科技化進程撞擊所導致的歷史斷裂,以及因斷裂所產生的文化革新。尋求一種語言,使得經驗能夠透過文化敘事的重建,把握住當下現實社會經驗,喚醒啟蒙與救贖的可能,而與歷史重新對話,和世界搭起橋樑,構成台灣走向全球化的反思途徑。
    A novel view on culture is developed by new technology. The dramatic change accelerates the globalizational interactivity, The phenomenon of globalization and the development of technological economy were mutually related. The new era is opened. Among the six times of Taipei Biennial in the 12 years, the issue of globalization was broadly discussed. The social differences and the cultural rupture, which were both caused by globalization, as well as the conflict between dramatic change and present reality were all transformed into an aesthetic category. The dialogue between cultures was expected.Based on Frankfurt School viewpoint, this essay covers from autonomous currents of Arts in capital society to the study of autonomous thinking of digital arts. Through Taipei Biennial, the history was queried. From the aesthetics study of technological culture of digital arts, the shifting to historical philosophy was provided. Through the curatorial argument of Taipei Biennial, as well as the social image depicted in the work of digital arts, a position to historical reading, functioning as a basis of cultural and social thinking, was proposed. From the social image depicted in the work of digital arts, the appearance of social reality can be penetrated. We can re-consider not only the history break due to the impact of technological process in Taiwan, standing in the platform of digital interaction, but also a cultural revolution caused by the history break. Though a language, which makes experience rebuilt by the cultural narration, the present society experience can be grabbed, the possibility of enlightenment and salvation can be evoked, the conversation with the history can be restarted, a bridge can be linked to the world, and the introspection of Taiwan Globalization can be constructed.
    關聯: 藝術與設計學報 / 1期,頁1-20
    Appears in Collections:[藝術與設計學報] 第1期
    [視覺設計學系] 期刊論文

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